
Les Fleurs du mal (Flowers of Evil)
Charles Baudelaire · 1857
Modernity’s perfume. Spleen, city light, and the shock of beauty.
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AFTAD Canon
The Infinite Xerox
cataloging status: pleasantly disordered
Charles Baudelaire · 1857
Modernity’s perfume. Spleen, city light, and the shock of beauty.
Comte de Lautréamont · 1869
A glorious affront. Surrealist ancestor, corrosive and sublime.
Georges Bataille · 1927–1939 (sel. writings)
Sacred/profane switchboard, still crackling. Essays that misbehave when unattended.
André Malraux · 1951
The museum without walls—also without exit signs. Grand, disorienting, necessary.
Heinrich Wölfflin · 1915
Binary lenses for when your eyes refuse to agree: linear/painterly, closed/open, tectonic/atectonic.
Fairfield Porter · 1979
Domestic metaphysics. Essays from a painter who thought with his brush.
Rackstraw Downes · 2005
Three decades of essays from the painter’s vantage. Slow, meticulous, expansive.
Henry Cornelius Agrippa · 1531 (Tyson ed.)
The Renaissance master system: celestial correspondences, talismans, and the cosmos as mechanism.
Arthur Rimbaud · 1886
Visionary circuitry disguised as prose poems; symbols wired to shock the nervous system.
Stéphane Mallarmé · 1897
A typographic grimoire: words constellate like gears; the page behaves like a machine.
John Ruskin · 1857
Instructional, moral, and obsessive; seeing as ethical practice.
Eugène Delacroix · 1822–1863
Studio notes on color, form, and restlessness — the painter thinking aloud.
Leonardo da Vinci · 15th c.
Massive facsimile of notebooks — mechanics, sketches, and visions. Worth the wait to load.
Emma Goldman · 1908
A short anarchist manifesto, sharp enough to hand out on a street corner.
Industrial Workers of the World · 1970s
Radical union politics as pamphlet art.